Hope begins in the dark, the stubborn hope that if you just show up and try to do the right thing, the dawn will come.— Anne Lamott
Fast Chat Friday: Liz Nakazawa
I'm happy to kick off the first edition of Fast Chat Friday, a series of informal end-of-week interviews with writers, publishers, editors and other creatives. This week, you can win a free consultation with book marketing coach Liz Nakazawa. Simply enjoy the chat, then add your name and a comment to be entered in the drawing.
Liz’s book publishing and promoting career began by publishing of her own work, Deer Drink the Moon: Poems of Oregon, which was named one of the 150 books for the Oregon Sesquicentennial.
Let’s talk first about book marketing. What can you offer authors that they can’t do themselves?
I help authors think outside the "bookstore box" and help them discover different approaches to marketing. For instance, one of my clients wrote a book about the importance of fathers in our lives and he markets mainly to Rotary Clubs all over Oregon. That is his target market as those clubs are very family oriented.
What’s the best thing authors can do to get readers to their book?
The best approach for authors is to do one thing every day to market their book, their gift to the world. There isn't one best approach. Marketing needs to be done on many levels. It is great to market to bookstores but there are 144,000 libraries in the U.S. and that is a huge market. In my classes I discuss the best way to approach libraries. In addition to public libraries there are also academic libraries, prison libraries and many other kinds of libraries.
I like your idea of a strategic plan. In terms of marketing, is there a common miss or mistake you see authors make? Conversely, is there a brilliant move you'd like to see more?
There are two marketing mistakes authors make. One is thinking that you have to spend a lot of money marketing. Many authors spend hundreds of dollars sending slick, multi-page marketing materials to libraries and bookstores by snail mail, a costly decision. A one-page book sheet done as a PDF suffices. This can be then be sent to any prospective buyer. The other mistake is underestimating how interested libraries and bookstores will be in your book. Many libraries, for instance, love local authors and are eager to purchase your book. Do not give it away for free!
As a book editor, you created Deer Drink the Moon, a wonderful collection of work by 33 Oregon poets that “celebrates the state (and state of mind) of Oregon.” How did you come to this project, and to poetry?
I attended a poetry reading honoring our state's late poet laureate, William Stafford. Someone read a very wet-sounding poem, an ocean poem, and then someone read a very dry sounding poem, one set in eastern Oregon. At that moment I thought, "Why not gather poems that reflect the geography, flora and fauna of our diverse state" These poets in the book are finest in the state.
What’s your next project?
My next project is to write a one-act play about a family dealing with Alzheimer's. I know, that is a very different sort of project!
Forecast: Paintings & Poems
Forecast has come home!
Thanks to you, the word-art collaboration created by Tracy Weil & Drew Myron has had a great run:
• The exhibition traveled from Denver's Weilworks Gallery to Boulder's National Center for Atmospheric Research.
• Poems were read at mountain-top weddings and performed in seaside coffeehouses.
• The Special Edition Exhibition Book is featured in libraries and student classrooms nationwide.
Since its debut in Autumn 2008, you've oohed and ahhhed and asked to purchase and now we are happy to announce:
Many thanks for your support and appreciation. Tracy and I thrive on on creative collaboration, and your encouragement and enthusiasm fuels our art. Thank you!
Gratitude looks best in cursive
I love January, so full of fresh starts and determination. And I get giddy with the thank you notes this season requires. I love the excuse to write messages — and even full letters! — in a long, careful hand that demands pause and consideration. Because I was three steps behind this entire holiday, I'm using thank you notes as a replacement for the Christmas cards I intended to, but never did, send. Now I get to take my time and pick a card to match each recipient. Funky? Formal? Lined and structured, or scrappy and handmade?
At this end
Burning the Old Year
Sent with love
Wordful creation
More Wishes
Wish List of Books
Give me the words
I can't shake this song.
Book haze, laze, craze
More gifts
You know the saying: You can never be too rich, too thin . . . or have too many journals.
Gifts to give (and keep)
Susan Miller, astrology master of the universe, has strongly advised that I (well, not just me but Pisces worldwide) wrap up holiday shopping by December 9. That's just two days!
Given that Halloween seems like it was just last week, and that Thanksgiving came in a rush of gravy, I've really gotta get on the stick. In my consumer panic, I've gone keyboard crazy. In the last few days I've discovered some great treasures, and strangely they each have a writer/artist theme, making them great gifts to give — and keep!
Today's treasure combines my favorite things — words and art:
Portland, Oregon artist Trish Grantham paints directly on the pages of old books (a page from a 1935 Webster's Dictionary, for example, pictured here), to create layered pieces rich with history, texture and playfulness.
Using acrylic and watercolor paint, Grantham creates a cast of doe-eyed, anime-like people, animals and anthropomorphized objects (like a charming slice of bread).
Grantham's works are wonderfully original and affordable (paintings from $42; cards at $1.20) See her paintings here, and notecards here.
I've been to this party
"I read and write poetry to remind myself that I have a soul that needs a periodic tuneup."
Events
• Happy Hour for Young Readers & Writers
Wednesdays, 4:30 to 5:30pm
• The Writing Club — for middle school students
6th, 7th, 8th grade
Thursdays, 4:30 to 5:30pm
A fun and engaging way for students to explore creative writing through word games, crafts, poetry and prose. This group is offered through the 21st Century After School Program. Register by calling Melaia Kilduff, Center coordinator, 541.563.3476.
• Writers Group – for high school students9th, 10th, 11th, 12th grade
Thursdays, 6 to 8pm (includes dinner)
Students generate fresh poetry and prose during this free, weekly session of revved-up writing practice. In this supportive setting, young writers share their work with the group, and enjoy feedback from adult mentors and peers. This activity is free and offered by Seashore Family Literacy. Register by calling Drew Myron, instructor, 541.547.3757. Group is limited to 12 students.
For more information, contact:
Drew Myron, instructor, dcm@drewmyron.com

Starting Here: A Stafford Celebration takes place on Saturday, January 23 at the Green Salmon Tea & Coffeehouse in Yachats, Oregon. Doors open and music starts at 6:30pm. The reading performance begins at 7pm. Admission is free and open to all ages.
Oregon writers will read a Stafford poem, as well as one of their own pieces written in the spirit of Stafford's works. In addition, members of the audience are invited to read a favorite Stafford poem or to tell a personal anecdote about the late Oregon poet laureate.
Featured writers include: Ingrid Wendt and Ralph Salisbury of Eugene, Flip Garrison of Lincoln City, Ron Brean of Yachats, Khlo Brateng of South Beach, and Drew Myron. Richard Sharpless, of Yachats, will provide music.
This free event is in conjunction with The Friends of William Stafford, a nonprofit organization providing education in literature, particularly in poetry, in a way that will encourage readers, writers and those who aspire to find their own voice. In 2009, there were 60 Stafford celebrations held in Oregon, Washington, California, Kansas, New Jersey, Texas — and Malaysia, Scottland, Mexico and Japan! This event marks the first Yachats celebration.
About William Stafford

William Stafford was one of America's most prolific poets, authoring 67 volumes in his 79 years.
His first book of poetry was published in 1960 when he was 46 years old. Just three years later, in 1963, he won the National Book Award, and later won the Shelley Award from the Poetry Society of America, served as the Poetry Consultant for the Library of Congress, and was appointed Oregon Poet Laureate in 1975.
Stafford had a quiet daily ritual of writing. His poems, typically short, have a “steady quiet,” focusing on the earthy, accessible details. He kept a daily journal for 50 years, and composed nearly 22,000 poems, of which roughly 3,000 were published.
A pacifist, Stafford was a conscientious objector during World War II. He was confined in Civilian Public Service work camps in Arkansas and California, where he did work for the U.S. Forest Service. For the following fifty years, Stafford included poems of pacifism and reconciliation in his readings.
He taught at Lewis and Clark College, and traveled thousands of miles each year to give readings and to encourage aspiring poets throughout the United States, Egypt, India, Bangladesh, Pakistan, Iran, Germany, Austria, Poland and many other countries.
Stafford was always "listening for the next sound," and "rubbing words together until something sparked." About his work, he once said, "I have woven a parachute out of everything broken."
Stafford died of a heart attack at his home in Lake Oswego on August 28, 1993. He was 79.
You Reading This, Be Ready
William Stafford
• • •

A free reading event
Saturday, September 19 at 3pm
Looking Glass Bookstore
7983 SE 13th Avenue
Portland, Oregon
503.227.4760Featuring:
Tess Gallagher — author of the foreword
Holly Hughes — editor
& contributing writers:
Alice Derry
Joseph Green
Kake Huck
Judith Montgomery
Drew Myron
Paulann Petersen
Mark ThalmanRead about the book and event here. • • •
To November
Book binge
I haven't written a thing. For the last two weeks with the exception of a short grocery list and a quick thank you, I have not crafted a single sentence of meaning or merit. I have been on a book binge instead.
To live the question
A young friend and I exchange letters.

Have patience with everything that remains unsolved in your heart. Try to love the questions themselves, like locked rooms and like books written in a foreign language. Do not now look for the answers. They can not now be given to you because you could not live them. It is a question of experiencing everything. At present you need to live the question. Perhaps you will gradually, without even noticing it, find yourself experiencing the answer, some distant day.
— Rainer Maria Rilke, Letters to a Young Poet
November light
The garden is forgotten
in November’s thin light. Shadows yawn
sad and I am surrounded by things we
covet, yet forget:
sunflowers, a tomato’s full curve, the snap
of carrots — wilted from a rigored season.
Now tomatoes lie bruised, sunflowers quiet
and leggy. Even the crabgrass is worn with
effort. Something inside me swells in
this frail autumn glow. I don’t know if
it is fatigue or forever.
The Art of Elimination
Kick off the weekend with a Newspaper Blackout Poem poem by writer-designer-cartoonist Austin Kleon. I can't wait for his book, scheduled for release in April 2010.