Reveal. Withhold.

I'm old-school. I grew up drawing distinct lines to divide professional me and personal me.

As a young reporter, I didn't complain about covering a city council meeting that would stretch late in the night and leave little time for a romantic dinner. I didn't talk about my health, my debt, and things that kept me awake. I was a professional and didn't reveal much.

But technology changed me. Facebook, Flicker, Blogs — these forms of communication have blurred the lines between personal and professional and I am not navigating well.

Each day I question How much to reveal? How much to withhold?  In these expanding forms of connection, and these widening circles of 'friends', sometimes it seems we're all trying too hard to be heard. Look at me! Look at me! Is all this sharing just self-promotion in disguise?

Last year, exasperated and overshared, I quit Facebook. I didn't miss it, really, but I did migrate back.

And yesterday, for my husband, on our anniversary, I baked a pie and wrote a poem. I wanted to share  the poem here but all night I tossed and turned and wondered why. Why do I want to share something so personal? Wouldn't doing so diminish the fragile, intimate space where our real lives thrive?

Sometimes on Facebook, when I see photos of babies or airing of struggles, I cringe. It's too much, I think. Keep it safe in that secret place where only you have access to the details of your heart. Other times, I  am greedy for those nuggets of personal information that will give me a glimpse of who you are, what makes your life.

How much to reveal? How much to withhold? The questions press at me more each day.

 

Scissors, Paper, Poem

For years, I've loved Writing Down the Bones by Natalie Goldberg. I've given away copy after copy as a go-to guide for writing practice. With all my ardor, I don't know how I missed Wild Mind, Goldberg's second insightful book on building a writing life.

Thanks to a friend's suggestion, I'm immersed in the book. To both loosen and limber up, sometimes I simply need a nudge. Her suggestion of the Cut Up Poem is the perfect push.

How to Make a Cut-Up:  Take some old poems or journal entries and copy them onto a clean sheet. Cut apart the lines with scissors. Now mix the lines and arrange in a new order. Throw in additional lines from other sources. Play around with them, shifting lines, discarding some and adding others to make your own poem.

"It's good practice," writes Goldberg. "It breaks open the mind."

I agree.  And while I usually let poems settle and breathe before I edit and share, these exercises are so liberating that sharing fresh off-the-pen words feels just as good as writing them.

____

Instead of a letter

What will sustain this scattered joy?
 
This morning I woke to the word remote.

Perhaps you just need permission
for a do-it-yourself dream that will blossom.

Like the drive-in movie theater once novel and grand,
now dusty and sagging on bitten back roads.

Big Macs replaced smokestacks as an icon of American prosperity.

It takes so little to dream. It takes so much to love.

Instead of a letter, you text me, send a smile made of punctuation.

I’ve never needed much.


____

How to Breathe

Here, in my lungs, in the tight narrow space
where breath is taken and given away

I’m trying to learn something about love,
how it gives what cannot be seen

We can’t sense space without light, and
we can’t understand light without shadow and shade

I’m trying to learn something about faith,
like a farmer, a fisher, a lover wounded and waiting

Memories lodge in orchards, platforms, docks
Things we make, break, mark

The natural world has much to teach about order —
not the repetitive and simple sort
but the complexity of how we live
in storm and sun, in ebb and flow

As we move through days,
geometry holds the mind,
faith the heart,
and this land
where it juts, retreats and recovers
shows us how to love in the darkness,
how to breathe

 

These poems were composed from random journal entries, combined with lines extracted from Chambers for a Memory Palace, and Main Street To Miracle Mile: American Roadside Architecture.

Have you tried a Cut-Up Poem? If not, please do! If yes, please share!

 

Thankful Thursday

Bandon, Oregon - Autumn Walk with Alyssa

It's Thankful Thursday!

Gratitude. Appreciation. Praise. Please join me in a weekly pause to appreciate the people, places & things that bring joy.

This week, I am thankful for:

1. Autumn Light (see above)

2. Blackberry pie, made with berries picked along the Yachats River on a sunny afternoon.

3. Barbara Hurd, for writing Stirring the Mud: On Swamps, Bogs, and Human Imagination

The one essential quality of the imagination is that it moves— in wide sweeps, in pinched steps, out to sea, down into the interior. The imagination is polytheistic and polygamist; its groundspring is multiplicity, not singularity. Trying to press a single meaning onto imagery is like asking a river to hold still. It will squirm out of your interpretation, jump its banks, form new rivulets and bayous in its relentless churn toward the open ocean.

4. Cashmere sweaters

5. Lou Grant, the late 1970s television show that shaped my desire to become a newspaper reporter. The cable reruns, featuring fictional news staffers Billie, Rossi and Animal, still delight me. Do kids still grow up wanting to be reporters? In our new media age, does journalism still shine?

6. Garlic simmering in a pasta sauce.

7. Sharpie - Industrial Super Permanent Ink - Marker

In unexpected places

Corvallis, Oregon

The Thing Not to Forget

Stepping outside, you neglect
once again to drop your jaw
and lift your face, flower-like,
to the great blue beauty, to launch yourself
into the dazzle that is gracing you
with this one more chance not to forget

- Rick Borsten

 

I was so happy to stumble upon this poem. Really, I did stumble. Out of a cafe, into a parking lot and upon this poem. I like the poem as much as I like its placement: in public, above asphalt, in an unexpected place. I love when poems crawl out of books and into the world.

How about you? How and where are you finding poems? 

 

Thankful Thursday: Dandelions

I was "Mrs. Nicholson" today as a volunteer teaching assistant for a summer school group. Made buddies with a little boy who looked and acted like Edmund from The Chronicles of Narnia, a little girl who picked a dandelion for me (and insisted on sitting next to me!), and a helper who painstakingly sorted my cards after calling each word in a rhyming bingo game."

Several years ago "Mrs. Nicholson" was Haylee Travis, a timid teen in a writing group at Seashore Family Literacy, where I am a volunteer mentor. I love seeing these young people grow up, out and into the world — and then give back.

In the online world last week, there was a great deal of discussion about making poetry more inclusive. Collin Kelley, January O'Neil and others opened a lively discussion, asking: How do we set a larger place at the poetry table for those working outside the academy? How do we take the insular and make it open? Some are weary of 'established' poets repeatedly invited to speak and present. There is a call for a greater breadth of representation. 

The blog talk opened many doors. I'm pondering these questions when I hear about Haylee's teaching experience. I'm thinking of the little girl who picked a dandelion for her, and my heart warms because there are so many little girls (and boys) needing a Haylee in their lives. 

And I'm thinking of another student, Hallie, who spent a few weeks as my summer camp assistant. The kids all wanted to read with Hallie, to sit by Hallie, to soak up the love she was willing to give. Now, back at college, she has started a writing group,  patterned in part, she says, on "what we did with the kids."

And I'm thinking of Fred, my very favorite volunteer. At Seashore, he does everything, from reading and writing with kids, to dishing up meals, and tutoring adults. 

This isn't a plug for Seashore Family Literacy. Volunteers are at every turn, and every age, and you don't need an organization to give your time, effort or love. You don't need to go overseas, go broke, or go Zen. Opportunity is everywhere — next door, down the street, around the corner. 

The question buzzing on the blogs has been, "How do we make room at the table . . .?"

But I think a more pressing question is: What are you bringing to the table? 

If we want more representation, more inclusion, and a more vibrant writing community then we must be willing to give time and effort to create what we desire. What are you giving to strengthen your community, and enhance your life and the lives of others?  

Six years ago I moved from Denver, Colorado to a small town on the Oregon Coast. I left friends, family and numerous writing opportunities. When I arrived in my new town (pop. 650) I was hungry for writing companions. Not finding any writing groups, I created my own. I offered monthly writing sessions in my home, serving soup and writing prompts. I didn't wait to be invited; I made my own party. 

After a time, our group — a mix of never-to-very published — wanted to share our work with a larger audience. Again, there was no local reading series. And again, I didn't wait to be invited; I made my own party. Off the Page, an annual poetry & prose event, is now in its fifth year and has broadened to include writers from all over Oregon. 

I share these examples, not to toot my own horn but to urge others to make their way. Seven years ago I was the shy writer in the back of the room. I didn't raise my hand or my voice. I waited to be invited and included (a painful flashback to high school, in which I was never asked to prom). I took the lack of invitations as a lack of acceptance. But at some point, you gotta step up, out and into the world. You have to get in and give.  

And when you do, you just might find a young girl eager to offer dandelion love. 

 

Anthology as appetizer

When you are away, most of what happens to me happens in the supermarket. I like it. I wouldn't like it all the time, but sometimes I love to let myself go to seed, live unwashed, uncombed. I read in the sun on our unmade bed, eavesdrop, go to the Grand Union several times a day.

— Martha Bergland, from An Embarrassment of Ordinary Riches, a story appearing in the anthology Love Stories for the Rest of Us. 

I've grown to love anthologies — collections of essays, stories or poems by a variety of writers, typically organized around a theme.  I like to taste the flavors of many writers in one place without the commitment to just one. An anthology is an appetizer.

For example, in  Bad Girls: 26 Writers Misbehave I found Caroline Leavitt and Kaui Hart Hemmings. I liked their short stories so much, I raced to find their novels. The Descendants, by Hemmings, turned out  to be one of my favorite books.

 

 

 And The Pacific Northwest Reader is a wonderful surprise of essays about the upper left corner of the United States. The collection is reminscent of the Federal Writers' Project of the 1930s, and each essay is crafted not by professional writers but by independent booksellers and librarians. As a bonus, a portion of book sales go to the American Booksellers Foundation for Free Expression. The Great Lakes Reader is also available now, and other regional volumes are in the works.

In Feed Me: Writers Dish About Food, Eating, Weight, and Body Image, I discovered Lisa Romeo. I now faithfully read her blog each week.  

 

 

 

Poetry, too, produces some great anthologies. I'm loving The Poets Guide to the  Birds, both for its unique theme and for its breadth of writers. The collection includes work from 137 poets, and includes big names (Ted Kooser, Naomi Shihab Nye) and lesser known but no  less talented poets (Linda Zimmerman, Keith Ratzlaff).


Anthologies are the first taste of a reader's feast.  In fact,
while reading Winter Wren by Sally Green, I wondered, before I had even finished the poem, how I could get more.

     

Winner's Circle

Attention! Attention! I'm very happy to announce the winners of the
one-of-a-kind book journals created by Ex Libris Anonymous

And the winners are . . . 

Lisa Carter

Julia F.

Molly 

Cosmos Cami 

Kelli Russull Agodon 

Tara 

Is this you? If so, zip me an email with your mailing address. Reach me at dcm@drewmyron.com. 

This was a fun giveaway, and I enjoyed visited the websites and blogs of so many interesting writers and artists. Thanks for reading, writing and participating in this creative life with me.

And many thanks to Jacob Deatherage, the mastermind giving old books second life. He generously donated six journals to give-away. Give him a gander at www.bookjournals.com

 Write on! 


Wine, flowers, and a book?

On the rare occasion in which I am invited to dinner, I always take a bottle of wine. Sometimes flowers. (I've read that you should never take flowers as it creates more work for the host. I disagree. I love to get flowers. And really, how hard is it to fill a vase with water and plop 'em in?)

As much as I like wine, I like to shake routine.  And so, I've been giving books! 

I enjoy the process of considering my favorite books and then matching those to what I think my host may enjoy — Do I choose funny? thoughtful? irreverent? mainstream? I'm not sure I hit the mark — or that my hosts wouldn't rather have wine — but it's fun to try. 

A few of my favorite hostess book-gifts are: 

How Not to Act Old by Pamela Redmond Satran

Crossing to Safety by Wallace Stegner

Traveling Mercies by Anne Lamott

Cutting for Stone by Abraham Verghese

I'd like to expand my offerings (I once took my own book, a painting/poetry collaboration, but that felt self-promoting and weird). What books do you suggest? If I was invited to your home for dinner, what book would you like me to bring? 

 

The road in


It is not what you write or what you produce as you write that is important.

It is what happens to you while you are writing that is important.

It is who you become while you are writing that is important.

— Louise DeSalvo
 

Well, that takes some pressure off.

After last week's writing retreat, I'm picking through the ruins of my journal, searching for nuggets of promise. This is the mix of hope and dread; I felt so 'in-the-moment' while writing and later, upon rereading, time and distance diminish the heat and my words seem flat and routine. Does this happen to you, too? 

I am heartened by DeSalvo's sentiment of process over results. I also find perspective from Candice Crossley, whom I met at the retreat. Using Lonesome Pine Special, a poem by Charles Wright, as our prompt, we lifted his line: 

The road in is always longer than the road out, 
Even if it's the same road. . .

As I dig through the muck of my journal, Candice's response offers me much-needed perspective:

There is no arriving
There is only the going

You can fashion a beautiful writing
And drop it on the side
You have not come to the end
Of that small perfect poem
You will find another . . . 

That is not the last dark stand of trees
Or burst of flowers
Or glorious vista
The horizon is always there in front of you
And you will never reach it
You will only move towards it

— Candice Crossley
excerpted from The road in is always longer than the road out. 

 

Thankful Thursday: Writing at Menucha

It's Thankful Thursday, a weekly pause of appreciation. Because gratitude begets appreciation begets joy, I offer thanks.

This week I am thankful for Creative Arts Community. CAC offers residential art workshops at Menucha, a historic estate located 20 minutes east of Portland,  in the beautiful Columbia River Gorge. 

With the good fortune of time and opportunity, I recently spent a week in the company of painters, potters, sculptures — and seven writers enrolled in a workshop led by poet Ann Staley.

"Refuge" was our theme, and Staley, a kind and generous instructor, led an intense dive into essays, poems, words and ideas. We were equal parts saturated and invigorated as our group was quickly knitted together in laughter, tears, wine and encouragement. With a focus on generating new work, we spent day and night reading and writing and writing and writing. Nestled among wooded trails and soft rolling grass, we were at play in an adult version of summer camp. 

After a week immersed in creative community, I am grateful to feel awash with words, and to swim again in possibility.

This poem (inspired by a line from workshop colleague Tom Tucker, in a phrase exchange) served as both prayer and praise — and is best read aloud:  

Make Alive Again the Magic of Art and Word 

An Invocation
 

Bring back the joy 

Make words easy, effortless

Let them float across the page

 

Let sadness cease 

as the vehicle for art 

Let art rise as a 

messenger of joy

 

Let the music of the day 

be heard

and called

and cooed

 

Let my steps be light

an invocation

a benediction

a psalm 


Let me hear again

Let me here

Make me

Wake me

 

Help me set aside 

tricks and cues

clever plays

tricks of phrase

 

Make alive again

words 

placed together

strung along

passed and pleased

 

Make the magic 

rise and slip

sleight of hand

graceful steps

 

Let the mystery

of art   stutter

stop

start again

 

like a child 

dressed in shoes too big

a wand in hand

Let the magic of art

 

fill every blank page 

 

- Drew Myron 

 

 

Win! Old books. New life.

You've heard me prattle on about 
Ex Libris Anonymous
— my very favorite journal company — and now, just when I think I can't be any more in love, my heart grows another chamber. 

Jacob Storm Deatherage, the creative genius who turns vintage books into one-of-a-kind journals, is not only innovative but generous, too.  He's sent me SIX fabulous journals to give away.

I'm spreading the book journal love. 

To win one of these wonderful book journals, simply add your name in the comment section below. On Friday, August 27, 2010, I'll place all names in a hat and randomly pick six winners.  Winning is that easy  — and I'll pay the postage. Not only will you get a free journal, but you'll also receive real, handwritten mail in your old-fashioned mailbox. It's a double win, really.

What will you do with your journal? Sketch, paint, collage? Write songs, poems, stories, confessions? Just think, this journal could enhance your joy, feed your spirit, and change your life!

The possibilities begin NOW!    

 

Thankful Thursday: Alone

Lonely is a freedom that breathes easy and weightless  

— Tanya Davis, from "How to Be Alone"

I've been scratching for gratitude this week. Appreciation lies just beneath the surface of everyday life, I know, but these gray days have me a bit listless and worn. Today a friend shared a video-poem that gave me a jolt of joy, and suddenly — as though infused with sunshine and Diet Coke — I've got some bounce back.

On this Thankful Thursday, I am happy to share a poem-performance-illustration-song by Canadian writer/singer/songwriter Tanya Davis and filmmaker Andrea Dorfman.  

Thankful Thursday is a weekly accounting of gratitude. Each week, I share my appreciation for the big things, such as life and love, the small things, such as bok choy and books, and all sorts of people, places and things inbetween.

Will you join me? Please share your Thankful Thursday thoughts in the comment section below, or on your very own blog, facebook page, twitter account, school locker, bathroom mirror . . .  

 

Bookish Inspiration

What is the best
writing book or advice
you have ever read or received? 

Looking for fresh ideas and inspiration, I recently quizzed my writer-friends with the above question. The responses rushed in. I now have a stack of new material to absorb — and to share:

 Rick Campbell  Florida poet, professor, director of Anhinga Press, and author of Dixmont, suggests:

The Triggering Town by Richard Hugo

"Specifically, I like the idea about the triggering subject giving way to the true subject of the poem," notes Campbell.

 

 Sage Cohen  Portland Oregon poet, teacher, and author of Writing the Life Poetic, suggests:

Wild Mind by Natalie Goldberg

"A mix of spiritual, practical and inspirational, this book helped me find my way into a sustainable writing practice," says Cohen. 

 

 Judyth Hill  Mexico-based poet, teacher, and owner of Simple Choice Farm Artist Retreat, shares this advice:

"I hosted a gathering of college poets to meet Joshua Beckman,  a wild-eyed young poet who wrote 20-page poems," explains Hill. "One student asked Joshua if he ever had times he didn’t write while he waited for inspiration. He made the greatest reply I ever heard: I have found that writing is the best way . . . to wait!"


 Mark Thalman  Oregon poet, teacher, and author of Catching the Limitoffers this suggestion for beginning writers:

The Poetry Home Repair Manual by Ted Kooser

"Write about what is uniquely yours and out of that world which only you can create, stake out your territory," advises Thalman.

 

 Kate Maloy  Oregon Coast fiction writer, and author of Every Last Cuckoo, suggests: 

 

The Anatomy of Story by John Turby

"Written for screenwriters, so differences need to be kept in mind, but still the best I've seen for novelists as well," says Maloy. "Very detailed and specific about every body part of a story — space/time, premise, key structural steps, character, moral argument, and much more. Excellent writing (or just thinking) exercises." 

 

 Sean Nevin  Poet, author of Oblivio Gate, and director of Arizona State University's Young Writers Program, suggests:

The Unemployed Fortune-Teller by Charles Simic — for essays 

The War of Art by Steven Pressfield — for quick inspiration 

 

 Ce Rosenow  Oregon poet, author of Pacific, and publisher of Mountains and Rivers Press, suggests:

Tribe: Meditations of a Haiku Poet by Vincent Tripi

(Note: This book is out of print and difficult to find but worth the search)

 

 Rhett Iseman Trull  North Carolina poet, and author of The Real Warnings, suggests:

The Triggering Town by Richard Hugo 

 

I hope these books and ideas ignite your creative life. Have I missed any of your favorites? Let me know!  

 

Never underestimate the power of sun

It's been a sunless summer on the Oregon Coast. It's the coldest summer on record, with fixed, gray skies and 6o degree days. 

On this rugged edge, we rarely need sunscreen. Sweatshirts and fleece are the year-round uniform. 

The Summer Writing & Adventure Camp endured a good share of gloom last week. Now in its fourth year, the one-week camp for middle school students combines writing with outdoor adventures to help youngsters see, experience and express their world in new ways.

This year, students hiked the temperate rainforest at Cape Perpetua, kayaked the Alsea Bay, and battled a blustery wind across the Alsea Bay Bridge. Clamming was cancelled because it was too cold (52 degrees) to bear the combination of cold air and cold water. Our beach walk was abandoned, too.

The kayak trip on Thursday, however, would not, could not, be cancelled. It was the carrot of the week. One boy showed up Monday in his gear, ready to go (four days too soon). And many of the kids admitted they didn't really like to write but really wanted to kayak

On Thursday morning, the sky spit rain. The thermometer dropped. But the kids were still ready and eager. I added layers of clothing, and supplied extra coats. One young camper told me, "I never expect it to be sunny so I'm never disappointed." 

But I am not so wise. Even after six years of coastal living, I still expect a summer season. I spent much of last week seeking divine intervention. And in the critical hours — as our hapless group launched from the shore and paddled against wind and current across the Alsea Bay — the sun shined when we needed it most. 

Summer Writing & Adventure Camp was redeemed! Hope returned.  And I was cheered enough to know that even in the gray, bright spots will still shine. 

How to be a Summer Camp Adventure Writer

Look for skies to part,
clouds to thin,
sun to shine.

Hike a trail.
Touch sitka, alder, fir.
Carry flowers. Lick slugs. 

Share pudding
and small words like
Yes, Please, I will try

Against wind, walk a bridge.
Collect words. Let poetry
blanket, comfort, ignite.  

Paddle a slough. 
Cross a bay. 
Float dreams.  

Listen for heron,
egret, gulls, for the
giggle of troubles lifted.

Reach for words,
my hand,
your heart.  

- Drew Myron

Toss that boring book

At last, I now have permission to stop slogging my way through boring books.

This, from a trusted authority — Seattle writer and librarian Nancy Pearl — makes me feel much better: 

 

Rule of Fifty

People frequently ask me how many pages they should give a book before they give up on it. In response to that question, I came up with my “rule of fifty,”  which is based on the shortness of time and the immensity of the world of books.  

If you’re 50 years of age or younger, give a book 50 pages before you decide to commit to reading it or give it up.  If you’re over 50, which is when time gets even shorter, subtract your age from 100—the result is the number of pages you should read before making your decision to stay with it or quit.  Since that number gets smaller and smaller as we get older and older, our big reward is that when we turn 100, we can judge a book by its cover!

 

Get more 'Pearlisms' from Book Lust, the blog by Nancy Pearl, a librarian hailed as a "rock star among readers" who has an action figure modeled in her likeness (Now that's a power reader!). 

 

Cracker Jacks and other wins

I love winning stuff. 

A few bucks from a lottery scratch ticket.

The toy surprise in the Cracker Jack box. 

A raffle for something I don't even want — a quilt, a side of beef, free tire rotation. 

Even if the 'win' is more luck than skill, my heart trills at the idea of a perk. (I'm the one at Chipolte who stuffs the glass bowl with my business cards.) The luck! The chance! The fate! 

I'm even more pleased when winning is a result of real skill. In an effort to spread the good vibration of winning-hood, I encourage you to enter the following contests (and please note, the prizes are bigger than a burrito):

The Life Poetic iPoem Contest
Submit up to three, unpublished poems that you feel represent the spirit of "the life poetic." Winning poems will be featured on the "Life Poetic" iPhone app that features a poem a day for a year. Additional prizes include free tuition to a poetry class, signed books, and manuscript consultation. Deadline: August 8, 2010
Details here. 

Seven Hills & Penumbra Contests
In their annual contests, Tallahassee Writers Association offers cash prizes and publication. Open to writers of short story, creative nonfiction, children's stories, poetry and haiku. Deadline: August 31, 2010.
Details here. 

Feeling lucky? Find more contests at Practicing Writing, a blog by writer Erika Dreifus. Each week she posts a plethora of leads on Monday Morning Markets/Jobs/Opportunities

 

 

Thankful Thursday: Lists & Reasons


Reasons for Loving Bellybuttons

Because it is fun to say. 

Because everyone has one. 

Because when I was a baby I liked to play with it. 

Because it is fun to poke. 

Because I like to draw a happy face on it and make it talk. 

 — Kenzie, age 10

 

I have been buzzing about town with a group of lively 10, 11 and 12 year-olds. It's Summer Camp at Seashore Family Literacy and this week we are collecting words, observing life, and writing, writing, writing.

We are never without our journals, and just occasionally without smiles (when, after several hours, exhausted with words, we retreat to solitude and food). 

Today we were lucky to have poet Ann Staley visit us from Corvallis, Oregon, an hour-plus drive from valley to sea. Ann has taught writing and poetry for over 40 years, and she spent the morning leading our group through a variety of poems and prompts.

The driving force of the day was lists (Things I Love), reasons (Reasons for Loving . . .) and instructions (How To . . .). From these lists, we generated pages and pages of poems.  

Just as with gratitude, the more you appreciate, the more you see to appreciate. The Things I Love lists grew from 10 to 20 to more. "It's kinda fun once you get the hang of it," said Kenzie, as she reached 50 items.

For the How-To poems, we were inspired by How to See Deer by Phillip Booth. I was moved by Chrisanda's sweetly direct instructions: 

How to Make a Friend

First, you start by saying

Hi, my name is . . . . 

What's your name? 

Then be nice to them. 

— Chrisanda, age 11

 

Writing with children is almost always invigorating. Today I felt especially grateful for their willingness to try new things and to write about the silly and the sacred — from birth moms, to bellybuttons, to barbecue ribs. 

 

How to Love

Pick a weed

Admire its long stalk and strong pull

Its roots bound to bad soil

to gloom, rain and hard scrabble

 

Find a flower with a delicate bloom

Examine how it 

bends to sun

shakes in wind

How it needs tending and care

water and light

How it needs so much more 

than you can give and

still, and still, it lives

— Drew Myron 

 

Practice makes poems

Between writing groups and summer camps, I'm in the thick of word games and writing practice. 

I love writing exercises. Prompts stretch my creative muscle and rev up my writing. Fortunately, the world is full of writing books. My shelves are lined with inspiration but there's a handful of favorites I turn to again and again. Here are my top picks: 

poemcrazy
by Susan Wooldridge

This book rings with joyful ideas, whimsy and pluck. Best of all, Wooldridge mixes practicality with possibility. I have used her suggestions for years. Kids love creating Word Tickets for the Word Pool. And when my writing feels dulled and lazy, poemcrazy restores my love of words. 

 

 

 

Writing Down the Bones
by Natalie Goldberg

The classic how-to on freewriting. My friend Valerie gave me this book years ago, long before I thought I could or would ever be a 'real' writer, and I am forever grateful to enter the world of wild mind writing. I've bought this book 10 times over because I keep giving it away. 

 

 

 

The Practice of Poetry 
by Robin Behn & Chase Twichell

Packed with writing exercises from poets who teach. I've had the book for years and still haven't worked through all of the prompts. It's been carted through the desert, dropped in the bathtub, and has yellowed in the sun — and still holds its value. And it's not just for poets; Many of the prompts can be easily applied to fiction writing.  

 

What have I missed?
When you need a prompt or a boost, what books lead the way? 

 

Thankful Thursday

Welcome Morning

There is joy 

in all: 

in the hair I brush each morning, 

in the Cannon towel, newly washed, 

that I rub my body with each morning, 

in the chapel of eggs I cook 

each morning, 

in the outcry from the kettle 

that heats my coffee 

each morning, 

in the spoon and the chair 

that cry "hello there, Anne" 

each morning, 

in the godhead of the table 

that I set my silver, plate, cup upon 

each morning.

 

All this is God, 

right here in my pea-green house 

each morning 

and I mean, 

though often forget, 

to give thanks, 

to faint down by the kitchen table 

in a prayer of rejoicing 

as the holy birds at the kitchen window 

peck into their marriage of seeds.

 

So while I think of it, 

let me paint a thank-you on my palm 

for this God, this laughter of the morning, 

lest it go unspoken.

 

The Joy that isn't shared, I've heard, 

dies young.

 

Anne Sexton
from The Awful Rowing Toward God
 

Half my life ago, I clung to the confessionals: Sylvia Plath and Anne Sexton, poets who wrote openly about their struggles with life and the strong pull of death. Like many sad young women, I took Sexton's poem, Wanting to Die, as my own sort of prayer. I traced the lines, knew its terrain as my own:

But suicides have a special language.

Like carpenters they want to know which tools.

They never ask why build

I eventually grew up, and sometimes out, of suicidal contemplations. I grew away, too, from the raw, tell-all quality of confessional poets. I began, instead, to hedge and allude. Where once I was direct, I became vague, my emotional edges blunted. It's an evolution I question daily. 

Is it the nature of age to soften with time? Today when I read Welcome Morning, I find a new Anne Sexton. One, like me, who sees variation in the gray. For this discovery, I am very thankful.