Thankful Thursday: 10!

Happy Anniversary to Us!

You and me.

In 2008 — 10 years ago — I started this blog. Before the world was full of Facebook, iPhone, YouTube and Twitter, Off the Page was born. Tentative and shy, I offered a "quiet place of thoughts and ideas." 

"Let’s go," I wrote. "Not with the thunder of the self-absorbed, but in the same way a single line, when spoken softly, carries great weight."

Through this long decade, we've seen fashions rise and fall: 

Blogs are hot! Social media is king! Blogs are dead! Social is over! Blogs are revived!

The trends go 'round and 'round. Blogs, though, are my bootcut jeans and cashmere sweater — here to stay. 

It's never been a one-sided experience but an exchange. I write alone and share aloud. Like a writing group, or coffee with a friend, this is a quiet place warmed with creative comfort and expression. Thank you for being here with me, for reading, thinking, feeling, responding.

On this Thankful Thursday, I am grateful for you, dear reader. You show up, and I am heard, encouraged and inspired. In this big world, thank you for finding your way to this small shelter. 

Thank you for letting me in. 

 

It's Thankful Thursday, a weekly pause to express appreciation for people, places, things and more. The world contracts and expands with our gratitude. What are you thankful for today? 

 

Try This: 5 Step Cut Up

1.
Sometimes, many times, I don't know what I'm feeling until I write it out. 

2.
Sometimes I stand back from myself, while in myself, wondering who is this person, writing these words, and why? 

3. 
Sometimes my head is so full and fuzzed, I can't find my own words. And so I gather others. I go to books — art books, science books, manuals and guides — and jot down words and phrases.

Some feel poetic: dotted with mist.

Others are fact-full: Later measurements show that these surface currents flow with an average velocity of three knots.

Sometimes I pluck single words:  moss   tidal   index

4.
I cut these lines into strips, spread them out, and make sense again. I go outside myself to get back in, where the real poem is forming.

5.
Yes, it is both forced and fluid. It is an exercise and it is art, the kind that stirs hand and heart —  the best kind of workout. 

 

The myth of currents

 

Before these rolling hills and furrowed fields

there was moss and bark, soggy leaves and mist

dotted with riddle. 

 

How is it I dissolved in place? 

Struggling to understand the dark wet days

I etched patterns across the terrain of veins.

 

Tidal rhythms vary but nothing drowns like despair. 

I explored the pull of sun and moon, the myth of currents

how the flow swirls, restores, carries away, the hours circling.

 

Now, there is no drenching rain or rusting salt, no

saturated gloom, no cursing gray sky. 

 

In this index of renewal, every body has its own

movement. What I’m saying is when the moon

was full and the night wide, I left the ocean

 

to save myself. 

 

— Drew Myron

 


Love this line (passage, book . . )

Arturo hands him a conference packet and looks up at him wearily; violet streaks curve beneath his eyes, and lines are grooved into his still-young brow. Less notices now that what he had taken for gleaming bits of pomade in his hair are streaks of gray.

Arturo says, “There follows, I am sad to say, a very long ride on a very slow road . . . to your final place of rest.” 

He sighs, for he has spoken the truth for all men. 

Less understands: he has been assigned a poet. 


— from Less, a novel by Andrew Greer

 

This book, a Pulitzer Prize winning novel, is a delightful surprise of wit and warmth, with sharp teeth and well-placed sighs. A smart understated work, it hits all my marks: mid-life, writing, loving, losing, loathing, tenacity, humor and hope. 

 

What are you reading today?

 

Thankful Thursday: pocket, pickle, poem

It's Thankful Thursday

Because life is full and gratitude thin, please join me in a pause to express appreciation for people, places, things & more. 

1.
Poem in Your Pocket Day

All day, I've basked in the secret joy of Poem in Your Pocket Day, my favorite "holiday" and part of National Poetry Month. Until just now.

In my flurry, I realized that my favorite day of the year was actually yesterday. I had missed it! No need to fret; consider it a long holiday. I still carry this poem in my heart (and the friend who shared it with me): 

God speaks to each of us as he makes us,
then walks with us silently out of the night. 

These are the words we dimly hear:

You, sent out beyond your recall,
go to the limits of your longing.
Embody me.

Flare up like a flame
and make big shadows I can move in.

Let everything happen to you: beauty and terror.
Just keep going. No feeling is final.

Don’t let yourself lose me.

Nearby is the country they call life.
You will know it by its seriousness.

Give me your hand.

 — Rainer Maria Rilke
Book of Hours, I 59

2. 
A Pickle

Grace is losing her words. Long ago she lost her hearing and now her ability to speak is slipping too. Though her eyes are bright, when she talks it's murmur and mew with a round of babble.

Today, though, while "chatting" her words are suddenly clear: "You are a pickle in the mud," she tells me, "and I love you." 


3. Lilacs

Spring's sudden sign. A burst of fragrance, fleeting.
In small petals, the day blooms.

 

What are you thankful for today? 

 

 * As always, names are changed to protect privacy. 

 

 

Sharing Our Stories

They never want to write.

Oh no, they'll say, with a groan, sigh and shooing away. I'm not a writer

I cajole and convince until they relent. And then, suddenly, gathered around the table, they dive in, energized and present, uncovering memories and fears, trials and joys, writing their stories, their selves. 

We're the Columbia Basin Writers, a clutch of senior citizens connected loosely by a single thread: the nursing home where they live. We meet once a month to write and recall, to chat and share. I'm the annoyingly cheerful leader who, with help from a writer-friend-volunteer, takes us through poems, prompts and writing games.

Sometimes they forget we've met, that they've penned poems and stories and had fun doing it. 

Sometimes we take dictation as the prompt unwinds the mind and loosens the past. And then what, we ask, tell me more. We write fast every falling word.

Sometimes they write, though hands shake and arms ache. The pen moves slowly, with great effort, guided and braced.

And this, I think, is the real success: to crave expression so much that you'll work against tremors and fear, against rust and ache, fighting the body to write the words, to write your mind. This is everything. 

And then we share, and the room swells with comfort and pride. And I think this is real writing, in this small room-turned-safe place, these reluctant writers pushing against the challenges of pain, age, memory and loss. With every word they say I am here.  

Please join us — in person or in spirit — to celebrate the act of expression and the power of writing. 

 

 

 

On Sunday, and a sense of her

You ask for happiness and the foghorn says No

And No again, stuck on it, 

The way the beach is stuck on gull 

And reduction 

 
— from Pacific by Paula McLain


1.
And how are you dying, I write.

I mean doing, but maybe not.  


2.
I’m writing to her. Some people reach for the phone, trying to call a mother long gone. Sometimes while writing my pen takes an unexpected turn toward her. 

We weren't penpals, or even pals in the way of today's mothers and daughters who are friends. For years we fought, too much alike and too different too. Later, we grew close, sharing quick banter, books, and friendly phone calls. 


3.
This is what you do after a death. You remember, and then you worry you have mis-remembered, that you rewrote the truth. To make it more. To make you hurt less. 


4.
I try to wear things from her closet, try to hold her close. But the things only make me feel far away. Her tan sweater is my color and style, but does not feel right. The skirt is too tight and long. The jacket with leopard trim is a perfect fit, but when I wore it last week I couldn’t wait to take it off. The jewelry too.

I am not her, and this may be proof. 

Or maybe she didn’t like these items either, and they hung in her closet, as they will in mine, as a good idea but not quite right. I don’t recall her wearing these pieces. Even my father, upon seeing me in her sweater, said, “Oh she would have worn that before she got so small.”  

The weight and the struggle, that’s the thing we share. And so, I inherit the neurosis — insecurity, insufficiency, body image, the triad of the Myron women. I knew this all along, and now standing here, awkwardly displaying her clothes, I know it even more. Was I trying for homage, or just some sort of connection?

The only thing that fits, the only thing that that feels right, are the makeup brushes. Nice ones, expensive ones, she bought when the two of us went to Bobbie Brown for makeovers. Make us pretty! Make us good! Make us us, but better.

We didn’t do these sorts of girly mother-daughter bonding things, but there we were — four or five years ago — at the makeup counter getting pretty. Frugal as always, I bought just a bit, a lipstick or blush. To my surprise, my mother who wore little to no makeup, bought the whole suite: concealer, foundation, eyeshadow, blush, bronzer, and the expensive brushes too!     

Cleaning out her closet last month, my sister and I extracted the few items that were our size or style, and piled up a dozen bags for donation. After the main closet, the second closet, the coat closet, and the dresser drawers, we thought we were finished. Then my father motioned to the bathroom drawers. He couldn’t take the reminders at every turn. And so we picked through her lotions and potions, her brushes and combs, and a handful of makeup, smudged and worn. To my surprise, from that day years before she had kept the makeup chart, a drawing of a face with application instructions — and she had kept the brushes. 

The next day I applied my own makeup, and finished up with the largest brush. Bronzer it said in small letters on the handle. I didn’t have any so I just swept the soft bristles across my face. And there she was, a golden highlight across my cheek. 


5. 
My mother appears in a dream. She isn't center-stage, which is unlike her, but a hovering, a shadow. Still, I had a sense of her, and now awake, I see this is the truth of motherhood, of mothers and daughters, or maybe just us.  

 

 

Thankful Thursday: Ordinary Life

Because awareness begets gratitude and gratitude grows joy, it's Thankful Thursday. Please join me in a weekly pause to express appreciation for people, places, things and more. 

 

drew myron photo

1.
Daffodils with Lunchbox

This is my Grandma's lunchbox, recently unearthed from deep in a crawl space. Grandma Lucy — we called her Lu — lived to the age of 97 and passed in 2006. Last week we found this metal box in which she had scratched her name and the year, 1930. In that same box, my father tucked his own object of time, this glass bottle from Arvada Gibson. Because I like connections, I see a theme: name your place, mark your days, save a token of ordinary life.   

 

mather schneider photo

2.
A Bag of Hands
 
A chapbook of poems on love and immigration by Mather Schneider. Tough, tender and telling. This slim volume is included with a subscription to Rattle, my favorite literary journal (another gratitude) and available here

 

andrew wyeth by usps
3.
Andrew Wyeth stamps
I'm writing letters and sending notes just so I can use these stamps

 

jenny loughmiller photo
4. 
Hundred Hearts Project
Jenny Loughmiller is making gratitude tangible, creating 100 paintings for all the women who have impacted her life. 

 

drew myron photo
5.
Words of place
sage, scrabble, scrub, lonesome, vast

 

 

What's on your list? What are you thankful for today? 

 

 

Love this line!


We write about the dead to make sense

of our losses, to become less haunted,

to turn ghosts into words, to transform

an absence into language.

— Edwidge Danticat
The Art of Death: Writing the Final Story 

 


Writing about death, it turns out, is difficult. Emotionally, it is easy because grief is both wrenching and cleansing, and feels urgent and necessary. But such writing tends toward maudlin. How to write heartfully but without cliche? How to feel, but with measure? And why write about death, the most personal and moving of all actions, anyway? 

I've been writing about death a lot. No surprise, really, it's been a season of loss and I write with a pall that comes naturally. Sunny is not my default. And yet, writing about sadness helps me to carry the weight, helps me get to sunny. Or something. This is why I write. To make sense, to get through.

Edwidge gets it, do you? 

 

 

Get a Gimmick

A friend introduced me to these little gems, Haikubes, and I was giddy and willing. "I thought you might think them too gimmicky," she muttered. 

Are you kidding? Gimmicks get me to the page and keep me going. I've long advocated for writing exercises. In my early days I pledged allegiance to Natalie Goldberg's Writing Down the Bones, then Julia Cameron's Morning Pages. Years later, I still rely on writing prompts to keep my mind open and my hand moving. 

From magnetic poetry to cross-out creations, every good gimmick tricks the mind. The best writing exercises stir the brain, but not too much. They provide structure, but loosely. Once the foundation is set, you let it flow. You don't try too hard. You don't worry about grammar or spelling. You don't edit. You keep the hand moving. It's all warm-up, this writing, this life. 

"If you find yourself caught in a bigger rut, what you really need is a new idea," writes Twyla Tharp in The Creative Habit, "and the way to get it is by giving yourself an aggressive quota for ideas." 

This, I think, speaks directly to writing exercises. They are timed, structured, and demand delivery of goods. 

"A lot of interesting things happen when you set an aggressive quota, even with ideas," she continues. "People's competitive juices are stirred. Instead of panicking they focus, and with that comes an increased fluency and agility of mind." 

BINGO! 

My recent go-to gimmick is from The Writer's Portable Mentor by Priscilla Long: 

Go to a cafe. Or go to a park. Or go to a library. Or go down to the river. Write for fifteen minutes at a steady pace without stopping. Describe what's in front of you. You can describe the whole scene, or just one object.

Don't write about anything except what you see, hear, touch, taste, and smell. Don't write your feelings, opinions, or reflections. Wite color and shape. Write sound. No feelings. No opinions. No thoughts.

These writings connect you to the world, to where you are. The more you do them, the more aware you become. They are pure training in sensory observation.

Will these exercises produce strong stories or keeper poems? Maybe, but not likely. But they will provide a warming and a stretch. For every dance, there are the first tentative steps. For every song, the initial wobbled notes. Writing exercises and "gimmicks" are the first clearing in a brambled hike. They help start the walk that will expand your view. 

What gets you writing? What's your gimmick? 

 

Thankful Thursday: I Don't Know

Already, the sky has turned. Blue gray canvas. Even the trees appear darker, thicker, a bit menacing. This is February, the uncertain season.

I was born into uncertainty, carrying a certain sadness. Everyone has something —  freckles, large ears, a slump —  that thing they can’t shake.

______


No more choking on tears, no more choking back, folding in half. No more sorrys, no more loss. I don't want to count the weeks that turn to months. No anniversaries. No more landmarks of what is now history, the past. 

We will hold it in and read and sleep and eat too much and drink just enough to soften and blur, and wake too tired to carry on. We will keep calm. We will wear clothes that button and shoes that pinch, feel wounded by those who don't ask how we are and tender toward those who do. 

We will stop counting, and stop looking for photos because we have searched and found just two, and only one in focus, and we will cry because we didn't love you enough to take more.

______


And now I’m doing just what everyone says: remember the good times. The mind races, as you undoubtedly know, trying to make sense, make good, make better.

______


I'm partial to sun, blue sky, summer. But yesterday I shoveled snow and felt a sort of vigor, a thankfulness that I was able to lift and twist, that I could breathe in and full. I felt the heft of weather as something other than burden.

______


Don't fall in love with your sadness, holding brokenness like a baby cradled. 

And yet, how to live authentic, real, full. How to feel without making a scene?

______ 


There is, of course, a beauty in sadness. Uncertainty turned inside out. A clarity through tears. 

______


At the nursing home, a small voice is asking questions I can’t answer: How long will I be here? What happens next? 

Her eyes plead, lost and scared. I soothe with small talk, small words, soft voice. I make hot chocolate and hold her hand.  I don’t know, I am saying without saying. I don’t know, I don’t know.

 


It's
Thankful Thursday, a weekly pause to express appreciation for people, places, things and more. When we see, we see more. When we express, we feel. When we feel, we see more. When we see, we are thankful.

What are you thankful for today? 

 

 

This will happen to you, too

The world is full of sickness and death. Or, maybe just my world — though I suspect if you live long and love deeply this will happen in your world too. 

In times of sadness and uncertainty, I turn to books. And so, for the last few years as sickness set in and death hovered, I considered what makes a good life, and a good death, and how do we get there? So you don't have to wade through the muck (death/dying/grief is a saturated market!), let me share the books that have helped me through: 

Being Mortal:
Medicine and What Matters in the End

Knocking on Heaven’s Door:
The Path to a Better Way of Death

 

God’s Hotel:
A Doctor, A Hospital, and a Pilgrimage to the Heart of Medicine
 

Can't We Talk About Something More Pleasant?

Bettyville: A Memoir 
 

All the Dancing Birds


These books provided insight, perspective, and sometimes solace. But really, after all the research and study, the best information came from two unexpected sources: a movie and a friend. 

The Meyerowitz Stories is not a great movie but sometimes the right sentiment hits you in the right place at the right time. In this movie (available on Netflix) three adult children are dealing with their difficult, declining father. They are told the five things to say to him before he dies:

I love you.

Forgive me.

I forgive you.

Thank you. 

Goodbye.

These short sentences are powerful. And, it turns out they are adapted from a book — of course! —  The Four Things That Matter Most: A Book About Living, by Dr. Ira Byock, a leader in palliative care.

Years ago, before I started walking my own family and friends to the end, a friend in the throes of her own loss tendered these wise words:

Death is not a crisis

Death has the power to make us reel, ache and fold in half. And it may feel like an emergency, all adrenaline and fog. But death, like birth, is nature, not crisis. 

 

 

 

Creative clairvoyance (sorta)

My love of horoscopes is no secret (because I keep telling you). 

As a recap, I read three horoscopes each day: this and this and this absolutely poetic forecast.

This daily ritual is part research, part poetry, with a smattering of loose direction, chancy guidance, and good fun. 

And when my mind is jumbled and hands restless, I grab pen and predictions and search for "hidden messages". It can be a challenge, this practice of elimination, but it's mostly fun. The pressure is low; I'm not trying to write good, I'm just exercising some mental muscle — and the results can be surprising. 

A few from this week: 

CAPRICORN 

You may 

ignore

a sharp 

rotting 

no. 

 

AQUARIUS

Revive a

victory. 

 

GEMINI

You think

about pressure

too much.

 

LEO

You resolve 

to discuss 

pain 

often. 

 

As you can see, these "horoscopes" turned a bit dark. And direct. But that's okay. It's practice, an exercise to help launch the next story, poem, essay, grocery list . . . 

 

 

Thankful Thursday: Warble

A friend sends music from our past, and for days I am swimming, tossed, turned, undone. And now, I keep singinguncertain emotions force an uncertain smile.

They say smell, with its ability to jolt your past to the present, is the most powerful sense. But music ranks right up there too — its power to set a mood, strike a set, dismantle and mantle me. All week I'm seeing myself in reverse. 

“I think we are well advised to keep on nodding terms with the people we used to be, whether we find them attractive company or not. Otherwise they turn up unannounced and surprise us, come hammering on the mind's door at 4 a.m. of a bad night and demand to know who deserted them, who betrayed them, who is going to make amends,” wrote Joan Didion, in the essay On Keeping a Notebook in Slouching Towards Bethlehem

________


We’re preparing for another funeral. We’re always preparing, we are never prepared. 

________


At the last funeral, the pastor read from Ecclesiastes:  “To every thing there is a season, and a time to every purpose under the heaven . . ."

This is the same verse that was read at our wedding. And turned into a great song. And even the Academy of American Poets recognizes it as a poem (yes!). We’re always celebrating and mourning. Life, of course, is a series of small daily deaths. But you can't stitch that on a pillow, or put it in a pill. And so we make poems.

________


When we are together doing something ordinary, eating dinner, riding bikes, my tears are sudden and unexpected. The mind is busy cataloguing the album of life, filing all the firsts and lasts. 

I know grief. I've sat with death. I work among the old and ill. But this feels as if I’ve known nothing at all, so individual and unknown, and these tears so fresh and strong.

________ 


At work, Betty doesn’t speak.*

She warbles, bringing her hands to her mouth and letting out what I imagine are musical scales. I’ve tried to talk with her, and to play piano together but she doesn’t respond, just looks to me from deep-set eyes. I pretend she can see me, can see through me to some unsaid truth or intention. And so I do the talking.

Today she places her wheelchair in the center of the hall, and when I kneel to visit she offers a slight smile as if maybe she recalls me just a bit, and lets me place my hand upon hers.

How are you today? I ask. Her response is silence.

Will you sing for me?  Silence.

And so we just look at each other.

I smile because just looking is difficult. Try it. Talk to someone you don’t know and you have no history and you’re not sure they can hear you or see you or understand you. All you know is this busy hallway, this quiet moment.

So we just look at each other and she murmurs a note or two. And then, she leans in and slowly moves a strand of hair from my face. The gentlest of gestures, both tender and kind. And this is the happiest I’ve been all week.  

 ________ 

 

It's Thankful Thursday, a weekly pause to express appreciation for people, places, things and more. Life contracts and expands in relation to our gratitude.  What are you thankful for today?

 

* as always, names have been changed



Feed Yourself

It's January already, month of short days, long nights, and (impossible) resolutions to be thinner, smarter, better. To counter the self-sabotage, I've ditched all resolutions but one: feed myself! 

Not with food — I'm really good at that already — but with creativity: books, tools, time & experiences.

Step One: In this new year I'm treating myself to books that have been lingering in my want-to-read pile (otherwise known as my Amazon cart):   

The Creative Habit: Learn It and Use It for Life
by Twyla Tharp

I need a creative prescription, and reviewers says this book is it! "Prescriptive and motivational," they say, and akin to The Artist's Way and Bird by Bird (two books I highly recommend).  

 

Stumble, Gorgeous
by Paula McLain

Before she wrote The Paris Wife, the evocative interpretive fiction-biography (yes, I just made up that genre) of Ernest Hemingway and wife Hadley Richardson, Paula McLain wrote poetry. Her novel was so rich and poetic, I'm sure her poetry will equally enthrall. 

 

Bluets
by Maggie Nelson

When it was published in 2009, poets and bloggers were agog over this crossover of poetry and prose. It's lingered in my "Wish List" cart for years. It's time I finally get in on the gush. 

 

The holidays are over, the presents purchased, wrapped, unwrapped, and enjoyed. Now, it's time to tend to ourselves. What are you doing to feed your art, your mind, your self? 

 

 

Good Books of 2017

The paper is ripped, the ribbon undone. The tree is now needles all over the floor.

It's time now to look back at what we've wrought & read. Here are some of my favorite books this year. But because I'm often late to the party, these are not necessarily books published in 2017, but books I enjoyed this year. 

FICTION

A Little Life
by Hanya Yanagihara

Gripping, engaging, painfully sad. But also a real divider; half of my friends couldn't stand this novel. The others, like me, didn't want it to end. 

 

The Best Kind of People
by Zoe Whittall 

How often we rush to judgement, and how often we are blind to our assumptions. This novel is so well written, so taut and real. A true page-turner that will also turn you to knots. 

 

Make Your Home Among Strangers
by Jennine Capó Crucet 

A thoughtful novel with a "ripped from the headlines" relevance that reveals the real heart and hurt of immigration and integration. 

 

The Girls 
by Emma Cline

Loosely based on real life and with thrilling skill, this novel beautifully renders a tender and terrifying age. 


The Great Man
by Kate Christensen

A wonderfully sharp and observant take on art and its players, with richly complex characters. 

 

YOUNG ADULT FICTION

The Hate U Give
by Angie Thomas 

Fresh, raw, real, necessary. Don't be fooled by the young adult categorization; this is a book for all ages. 

 

NON-FICTION

Knocking on Heaven's Door: The Path to a Better Way of Death
by Katy Butler 

The best description of this book is from one of my favorite authors, Abraham Verghese, who says: "A thoroughly researched and compelling mix of personal narrative and hard-nosed reporting that captures just how flawed care at the end of life has become." 

 

POETRY

We Carry the Sky
by Mckayla Robbin

A slim volume of poems that stand strong. In spare lines, this debut poet offers unusual depth. I first found her here: https://youtu.be/J1pUYPS4dQg

 

Good Books of 2016

Good Books of 2015

Good Books of 2014

Good Books of 2013

Good Books of 2012

Good Books of 2011

 

Your turn: What did I miss? What were your favorite books this year? 


Thankful Thursday (on Saturday)

 

Because attention attracts intention, which attracts gratitude, and gratitude expands joy, it's time for Thankful Thursday.

This week I am thankful for: 

• lists — grocery, shopping, to do

• this passage, from this essay by Sarah Cords:

"To be grateful is to live a full life. It is to know worry and accept worry. It is to shore up the foundations even in the face of the weathering forces of tragedies and time."

• oatmeal

• my sick mother, refusing to use words of war:

"I'm not a survivor," she insists. "I am not battling." 

• persimmons - my favorite ugly delicious seasonal fruit 

• the words grumble and coo, not necessarily in tandem

• small things with history, like this family christmas ornament, circa 1930

 

It's Thankful Thursday (on Saturday, because life gets full), a weekly pause to express appreciation for people, places and more. Life expands with gratitude.  What are you thankful for today?


 

Racked

Wrackline

An ecological bridge between land and sea;

the line of debris left on the beach by high tide, usually made up of grass, kelp, crustacean shells, feathers, bits of plastic, and scraps of litter.
 


Everything is next to something. The grass next to sand, next to beach, next to sea.

The waves roll slow and steady, somersaults of saltwater meeting beach.

The low angle light casts long shadows.

Everything lives in the shadow of the grander thing.

____


I am waiting for pies to set, a phone to ring, my mother to not die, my sister to not cry. Beyond this wrackline of broken shell and damp decay, I am waiting for the next wave.

____


Here, once or twice or for twenty years, we cross states and days to leave dull winters, shed coats and shoes and transform into people who sun and swim. Here, we are people who laugh.

Yes, I have proof. See, here, the photo, black and white and faded with time — that's us, fresh-faced from the surf, strong and sure, smiling.

____


Every morning we wake and look to the flag, listless or stiff. Today it flaps both warning and invitation, an urgent red against a sky of blue.

____


Walking the wrackline, we spot glossy rocks, thin shells, stranded jellyfish, small sandcrabs. The water, a wave machine that never ends, softens sound and muffles our voices so that our tongues go slack with the work of language.   

____


On the shore between lost and found, I can't find my notebook, pages and pages of my history, my voice, my self. I panic, hunt, give up, begin again.

Wreck and re-do share the same shadow.

____


Once, here, we drank too much and quarreled home.

____


In the distance, a woman sits on the sand, where it turns from lofty to soft to firm but not yet wet. She is alone on an empty beach watching her friend — husband? lover? son? — bobbing in the waves. She wears an unnamed sadness, I imagine, like a grief she holds but cannot carry. I watch and watch, will not turn away. This is projection, of course, a misplaced empathy. But I can’t stop watching this woman who is sitting still, her back to me, living quietly contained.

I keep looking. I keep looking to really see. 

____


Once, a sudden storm pounded our car, a torrent of water flooded the street. We huddled inside, stunned, racked with a rumble of uncertainty we’ve yet to shake.  

____


Along this line, I walk for miles, each step a decision that finally brings me home.

____


Back at the pool and free of nature’s mess, the water is chlorine clean. Slipping in, the water amplifies my breath to truth: loud, ragged, singular. The body is weightless and floating, my face turns to a wide endless sky. My heart pumps pumps pumps, gives rise to tears, salted and soundless, the one thing that seems essential and true.

 

 

Love that line!


Past the point of desperation lies inspiration.

— Priscilla Long
The Writer's Portable Mentor:
A Guide to Art, Craft, and the Writing Life 

 

This book has been setting on my desk for years (yes, years!). With the dedication of a student learning anew, I recently dug in — and have felt surprisingly energized with fresh writing prompts and ideas.

I like a good prompt and often turn to books; I have no patience in waiting for the "muse" to "inspire" me. Does a plumber wait for the right pipe to magically appear, or a surgeon wait for the stars to align before he begins to cut? No, you go out and get what you need, and then stick to your schedule.  

And so, both mood and magic have been tossed aside for the more reliable forces of effort and will. I've got my very own mentor in this get-to-it book. 

What guides your writing? A person, a book, a class . . . ? 

 

Twist of fact and wish

 

Once I wrote a letter that lasted weeks. 

Once I wrote a letter that did not end.

This is the field, or a river, a wide sky expecting rain.

This is fresh paper, without blemish, without fear.

This is the letter turned to you, to god, to myself. Signed, sealed, sent to an undeliverable address. This is me hiding.  

___


He wrote a book of poems to his dead wife. I wondered if this was mastery or manipulation. But what poem isn't a twist of fact and wish? A rewrite of life as if facts were nails or hammers, something solid like a tool, or a fastener to truth that hangs useless until put to purpose.

____


Because something loosens and stirs, I keep writing, though the words make no sense, though I do not direct the message, do not even have a message. I keep the pen moving, the way my lips move in prayer, the way my mother pleads with me to keep moving, keep doing the work. 

The way even now I do not know if she said those words or I wanted her to offer the kind of encouragement we could never seem to say aloud. 

____


When nothing moves in me, my hand moves quickly across the page, with some sort of faith that life is more —and less — than now now now.

The here is the after, the after is here, on this page, in my hand, writing to you. 

____


This is why I pray with just one word, whispered, begged, again and again: please.