Fragment, Tangle, Hold

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1.
I wake with a question:

Is this sadness or defeat?

And then:

What’s the difference?

2.
I remember imperfectly.

Sometimes you remember everything as it happens: a soft voice, rain pattering the night, how you squeezed me so hard I couldn’t breathe and wished to stay this way — breathless and held.

You swear it to memory, as if ordering a meal: I’ll take this and this and this.

But the mind is a faulty photograph. The image wears, blurs, goes away.

3.
Caught in a tangle of photos I am suddenly crying for a life I don’t remember living. And yet, there I am, a toddler, on a bicycle, in a field. Here, the farm, the trailer, in my mother’s arms, my sister’s gaze.

I am nostalgic for what I did not know and now hold with a vague but fierce tenderness. With a hand of protection, I am both guarding and letting go.

4.
Nostalgia says, I didn’t try. I didn’t try hard enough. I could have loved more, loved better. Nostalgia hums with fondness and with guilt, leaves you doubled over what was lost, but even worse, taunts with what you didn’t know you had.

5.
Once, I made a rule:

Don’t give in to nostalgia, I said, It’ll only strangle you.

I was young. I willed away wanting. I would not long for what I did not have. I would not want.

But now, years later, the photos I hold are thin and fading. Hopeful faces, holding in, holding on. With an examiner’s eye I see happiness, and my heart makes a declaration: This is how it was. This is truth.

6.
Is this sorrow
or a relapse of calm?

the body a loneliness     walking 

mirror of survival 

7.

Holding

I could imitate the thrash and flutter,

how you touched me like an error. I am pleading

my case and you are in the distance singing. 


There's something in the collage of resistance, 

how you finally let it move through. Please, I beg,

give me a way of moving, let my limbs know lyric. 

Make it rejoice, you say, 

       to hold a burden is the terror.


— Drew Myron



Good Books of 2019

Presents have been opened, rejoiced or returned, and the tree is now needles all over the floor. It’s time to look back at the year-in-books.

Frankly, I haven’t had a stellar year. Though I’m always reading, few books engaged my head & heart. I quit many (without guilt) and realized that, as with jeans, to get a good fit one must try, try, and try again. *

The upside is that my book malaise spurred me to explore. I reached beyond my routine of contemporary fiction and dabbled in mystery, fantasy, memoir and more. Some were thinkers, others sinkers, but I felt nicely stretched nonetheless.

Here, a few of the good books I read in 2019:

FICTION

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The Middlesteins
by Jami Attenberg

Don’t judge a book by its cover (as I did, quickly dismissing this as adolescent drivel). This novel is original, funny, sad, sweet, with a spot-on grasp of family dynamics.

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Chairs in the Rafters
by Julia Glass

A little-know novella by the bestselling author of Three Junes. As always, Glass delivers evocative prose with complex characters.

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Educated
by Tara Westover

Yes, yes, everyone and their neighbor read, raved or loathed this memoir. This was such a page-turner I read it in one full swoop, glued to the couch for an entire day.

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The Dry
by Jane Harper

This gripping mystery thriller is thick with atmosphere. An easy read, it was the ideal who-done-it to take me out of my head.


NON-FICTION

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Don’t Let Me Be Lonely
by Claudia Rankine

Published in the George W era, this multi-genre inquiry is as politically and emotionally relevant as ever. Smart and incisive, with a seamless blend of poetry and prose, Rankine dives deep into culture, race, terrorism, depression, medication and media.

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Stranger on a Train
by Jenny Diski

With wry and incisive prose, this travel memoir is less about landscape and more about people. In search of solitude, the British writer traverses the U.S. by train and finds herself drawn into the complex lives of ordinary strangers.

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How the Light Gets In: Writing as a Spiritual Practice
by Pat Schneider

A warm and interior look into the motivations and circulations of the writing life. With her signature grace, Schneider invites readers to contemplate their lives and deepest questions through writing.

POETRY

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If the House
by Molly Spencer

Layered, textured, rich and deep, this debut collection of poems is stunning. Poet David Biespiel sums it best: “Her portrait of life’s silences is fundamental and mysterious. Here is a riveting, deeply moving book of marriage and its dissolutions—between husband and wife, between a woman and her home, between dream and memory.”

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The End of the West
by Michael Dickman

Dark, violent, conversational, essential, enigmatic — and beautiful.

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Irksome Particulars
by Matt Cook

A pocket-size collection of irreverent prose poems, each no longer than a page and most just a few lines long, from the former poet laureate of Milwaukee, Wisconsin.

FAVORITE BOOKSTORES

Where are you shopping? This year I was excited to discover and revisit these independent book shops:

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Bart’s Books
Ojai, California

I stumbled (literally, I was on a walk and was looking for exercise, not books) when I found an outdoor bookstore. Open since 1964, Bart’s is the largest independently owned and operated outdoor bookstore in the U.S. With a selection of nearly one million new and used books, Bart’s is quirky, kooky and wonderfully bookish.

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Klindt’s Booksellers
The Dalles, Oregon

Open since 1870, Klindt’s is the oldest bookstore in Oregon. With its original hardwood floors, cabinets and bookshelves, the narrow shop oozes history while packing in plenty of contemporary treasures. 

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Powell’s City of Books
Portland, Oregon

Filling an entire city block in downtown Portland, since 1971 this is both mecca and disneyland for readers and writers. Not to see Powell’s is not to see Portland.


* I’m still searching for the perfect jeans.


Thankful Thursday: Brightly Shining

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The Week in Review 

I wore soft sweaters. Ate too many cookies. Meandered through days without demand.

An old woman who rarely speaks, stared, and asked: Do you like me?

Yes, I replied quickly, I love you. And felt the relief of a truth.

A leaden sky blurred time. I fought a sadness that did not take root.

Caught in holiday softening, I forgave grievances and felt goodwill.

Fall on your knees became my new refrain.

I was reminded of the real work ahead.

The Work of Christmas

When the song of the angels is stilled,
when the star in the sky is gone,
when the kings and princes are home,
when the shepherds are back with their flocks,
the work of Christmas begins:
to find the lost,
to heal the broken,
to feed the hungry,
to release the prisoner,
to rebuild the nations,
to bring peace among the people,
to make music in the heart.

 — Howard Thurman

 

It's Thankful Thursday, a weekly pause to express appreciation for people, places, things and more. Some weeks are tougher than others, but every week offers some small thing that redeems and heals. What are you thankful for today?


Grocery & Gift Lists

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I carry a perpetual grocery list that gathers like a nest in every crevice of my life. Every week it’s a scratch of urgent needs: chicken, tonic, wine. Write, buy, repeat.

And in my head, I carry a gratitude list: a jumble of small, pressing appreciations.

Because attention attracts gratitude and gratitude expands joy, it's time for Thankful Thursday. This week I am thankful for:

Cuties
You know the sales pitch: small, sweet and easy to eat. Also, adorable in scale. These miniature oranges (technically mandarins) get me through these long winter days. Admittedly, they have a sordid backstory, and out of guilt I did take a long break. But here it is, holiday season, and I’m back on the Cuties.

Also: I’m thankful for this publication. Superb research, writing, and design.

Book Gifts
I’m not a great gift-giver. I labor over gift guides and scan every conversation for hints on what to buy that says, “How did you know?”

But I never know.

Because I love books, I assume everyone loves books, and that’s why each year I give books, books, books to family, friends, neighbors, strangers . . . But I’ve come to my senses (begrudgingly) and realized one person’s treasure is another’s homework assignment. My family groans silently with every literary gift.

Still, every lid has a pot and every book a reader. I can’t stop matching books to people. This year I’ve cut back on book gifts — but I did find an exact right match with this book and this book and this book.

Also, I’ll include this caveat: You don’t like the book? Pass it on. Re-gifting is allowed and encouraged.

Grandma, the movie
The best movies are the ones you don’t even know you want to see. This week I stumbled into a gem: Grandma, a dramedy with sharp writing and great acting from Lily Tomlin and Julia Garner. Released in 2015, it’s now on Amazon.

A friend sends a poem
This week a friend sent me this poem. A poem is a gentle ‘thinking of you’, and isn’t that the best gift of all?

Between Autumn Equinox and Winter Solstice, Today

I read a Korean poem

with the line “Today you are the youngest

you will ever be.” Today I am the oldest

I have been. Today we drink

buckwheat tea. Today I have heat

in my apartment. Today I think

about the word chada in Korean.

It means cold. It means to be filled with.

It means to kick. To wear. Today we’re worn.

Today you wear the cold. Your chilled skin.

My heart kicks on my skin. Someone said

winter has broken his windows. The heat inside

and the cold outside sent lightning across glass.

Today my heart wears you like curtains. Today

it fills with you. The window in my room

is full of leaves ready to fall. Chada, you say. It’s tea.

We drink. It is cold outside.

Emily Jungmin Yoon

It’s Thankful Thursday, a weekly pause to express appreciation for people, places, poems, and more. What are you thankful for today?


Love this line (and entire book)!

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“If you write the truth, you will change the world.

If you write privately, you change your own inner world,

and that changes the outer world.

If you write publicly, you give voice to what is,

and that assists what is becoming.

If you help someone else to write the truth,

you may not live long enough to know it,

but you will have changed the world.”

— an excerpt from How The Light Gets In: Writing As A Spiritual Practice by Pat Schneider

Over the years I’ve read a great many “how-to” books on writing and the creative process. I devour the really good ones and press them eagerly into your hands: Writing Down the Bones and Poemcrazy and In the Palm of Your Hand: The Poet’s Portable Workshop.

But this one has worked another sort of magic that feels both affirming ( I do that!) and inspiring (I feel that too!). This dense treasure is not new nor flashy. Instead, it’s a deep and thoughtful reflection of writing and the writing life, penned by the poet who pioneered Amherst Writers, a writing workshop method that believes every person is a writer, and every writer deserves a safe environment in which to experiment (I agree!).

In reading and re-reading How the Light Gets In, I feel seen, understood, and a little less alone in the writing life. If I could press this book into your hands, I would, I would, I would.

Waving: A Day of Veterans

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God bless America, says the elderly man sitting beside me.

And for a moment, I feel what he might mean. A wash of nostalgia, sentimentality and weight. Is this how patriotism feels?

I’m conflicted about war memorials, Love it or Leave It bumper stickers, and the red, white & blue. Even the holidays— Memorial Day, Fourth of July, Veteran’s Day — make me uneasy. Too much macho, testosterone, blow-‘em-up-and-boast-about-it.

I’m a pacifist. A lover, not a fighter. I want to make art, not war. I could be a Quaker.

Yes, yes, I’m happy to live in the land of the free. I’m not ungrateful. I recognize sacrifice. I married a veteran, and yet, I bristle at these glorifications masked as honor.

But here I am, on a bus in a parade, filled with elderly men who have served in the Navy, Army, Marines. The street is lined with people of all ages, smiling, holding flags, and waving at us. As we drive past, a woman puts her hand to her heart. A man mouths thank you. A group of children hold a banner they made: We love you, Veterans!

The heart swells. Who wouldn’t like this?

***

People say, Thank you for your service. I can’t say what I don’t fully grasp, and instead I ask: What was it like?

It was fun, says John.

My heart sinks. Surely I misheard. I’m expecting honor, duty, sacrifice. He’s 90, he didn’t mean it, he misunderstood. It’s not suppose to be adrenaline and exuberance. But war, like life, is rarely lived in black and white. Fun could mean camaraderie, could mean purpose, could mean belonging. Fun could mean young.

***

Inside the bus, the radio plays Anchors Away and we are lifted in an easy joy. Our group, in their 70s, 80s and 90s, is all smiles.

Look, I say, the children are waving to you. And John, his spine bent in such a severe curve he can hardly look up, even he is waving.

Isn’t that something, he says, as his frail hand rises to acknowledge the praise, waving and waving. All these people out here for us.

***

Photographing the Suddenly Dead (an excerpt)

We no longer have to name
the sins that we are guilty of.
The evidence for every crime
exists. What one
must always answer for
is not what has been done, but
for the weight of what remains
as residue—every effort
must be made to scrub away
the stain we’ve made on time.

Kevin Powers
from Letter Composed During a Lull in the Fighting 

* Names and identifiers have been changed to protect privacy.


Weigh Station

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1.
It can break your heart how much the smallest moment can matter. 

At the nursing home, I stop to chat with Grace. When I give a bright hello she lights up as if she’s been waiting all day for someone to see her. We talk a bit but the conversation gets rocky as she struggles to find words and a sense of time. We traverse a trail —  a jumble of cars, a dog, her hair, the pain of a recently trimmed toenail.  

I nod along. I've learned to let the conversation wander between past and present. It doesn't matter if the story makes sense, if it's true, if it's today or 20 years ago, just that there's comfort in the telling.

 Like a poem, we're not looking for fact. We want music, mood, connection. 

2.
A woman visiting her mother overhears our conversation.

I don't know how you do it, she says to me.

Well, I say, shrugging, I'm not a nurse. They do the hard work. 

I tell myself I'm removed. That I feel what the nurses can't, because distance is a form of self-preservation. Like I'm compensating. 

 But it’s not true; we’re all carrying an invisible weight.

3.
Who can describe the weight of love —

late we learn how heavy,

when grief is the flood we float above

and love is the break in the levee.

 — excerpt from Weight, by Pat Schneider 

4.
Years ago I was given a card with a simple message: Live your poem.

I didn't know what it meant, but liked how it felt. 

I have that same feeling today, talking with Grace, who is pleasantly confused. And Addie, who is terrified until you soothe with soft words, your hand in hers. Or Manny with the vacant eyes. Or Florence who sings through her confusion, and Violet who has lost speech but still lifts her brows in animation.

These small moments of pause, of dark and light, I don't know what it means, or if it means anything at all. But I know how it feels — quiet, present, full — like a prayer, like a poem. Like one very small thing of value, of weight. 

5.
Presence, writes Maria Popova, is far more intricate and rewarding an art than productivity.

6.
There is, of course, a desire to fix. But most times there is no fix, or none of which I am able. I am weighted with the inability to do anything.  I offer no tangible goods. Hold little value, have no weight. 

And so, I am a container that accepts, absorbs, fills.

7.
My husband, a good and hardworking man, is a fixer. Houses, cars, hearts — he alters, mends, smooths, and shapes. Everything can be made better, whole. 

I envy his urgency and action. With each sad story I bend to hear, my cup fills and overflows, and I think it would be better if I could just act: fix something. 

Listening doesn't cure a stroke, restore vision, or heal a break. Empathy is not medicine, and in these dim days my happy hellos can ring hollow. I can't do anything but hold a mood or a moment, and wonder, then, how something so small can weigh so much?

* Names and identifiers have been changed to protect privacy.


September: Give me your hum

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1.
I’m writing postcards to summer:  Wish you were here. Miss you already. Come back soon. 

This is metaphor. And not. For years I’ve fought this season with the same refrain: not ready, not ready, not ready.

2.
And all at once, summer collapsed into fall, wrote Oscar Wilde.

3.
 
It's the sharp shadows of September that pull me down, how the light both leans in and tilts away from beauty. Into these shortened days, dampness moves too quickly.

4.
It's always too soon. I'm never ready. If autumn is the season of letting go — heat, light, leaves — then summer is the blast of energy I briefly harness and just as my trust reaches full speed, summer falters and slips away.

5.
I married in September, and spent Septembers at a high mountain lake where I learned to embrace the language of change: cloister, clarity, crystalline, warmth, nourish, now.

I know autumn brings good things, but slowly, quietly, and with shadows of doubt.

6.
Now I am older and see everything as it was, and as it wasn't.

7.
Happiness is just the patina of memory. Even patina — a soft wash of time and wear — is cousin to sepia, which surely belongs to September.  

Was I born longing? It's melancholy I know best.

Invocation At The End of Summer

I call on the spirit of summer’s end,  
of tangled roots and the earth’s 
mold. Give me your hum.                               

I call on things that thrive in byways—
snakeroot, aster, dock. The teasel 
that pricks, the pod that slips away. 

 Give me light, charged with a flush 
of quick shadows—the sun stretched
flat across the grass, sullen, satisfied.

Let me feast on the overripeness of things,
the spice of apple that dazzles wasps 
and spins deer in drunken staggers
over the field. Give me your heat.

I call on things that sweeten and fall— 
butternut, pippin, the fluttering hearts
of rosebud—the luscious drip of evening,

 a shuddering of birds rising up 
and settling, the last secrets of the katydid.

 Let me put my head among the leaves. 
Let me listen.

— Shirley McPhillips
from Acrylic Angel of Fate


Thankful Thursday: Terroir

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In the vineyard


mahogany vines hang heavy 

against a wide blue sky


the day spreads a feast     just for us

say       yes     now

 
drink the mystery 

of cedar and soil

 
taste the dark gloss 

of plump summer fruit

 
know the terrain 

of this generous world 

— Drew Myron
from Thin Skin

Please join me for Thankful Thursday, a weekly pause to express appreciation for people, places, things and more. Joy expands and contracts in direct relation to our sense of gratitude.

What are you thankful for today? What makes your world expand?

Note: Terroir - noun - ter·​roir
The combination of factors, including soil, climate, and sunlight, that gives wine grapes [ and people ] their distinctive character.


On Sunday Sadness

Be Still, an erasure poem by Drew Myron

Be Still, an erasure poem by Drew Myron

Wasn’t it a great weekend, full of sunshine and good times, friends and fun? Yes, for me also.

But then Sunday evening arrives and a sadness creeps in. Always something lonely about a Sunday night (or a Monday holiday that feels like a Sunday).

It’s not just me. Go ahead, google “Sunday sadness” and see the pages pile up.

Sunday sadness is so common it’s made the Urban Dictionary: “a feeling of fatigue, depression or anxiety felt on Sunday.”

The quasi-authority on modern life, Real Simple, backs this up: “Even after the best of weekends (or especially after the best of weekends), there’s a cloud that descends.”

This vague edgy-melancholic state is more than dread for the workweek ahead (I like my job! I love structure!). This is not depression, but more of an existential fugue, a spiritual restlessness, a distant cousin to malaise.

On Sunday nights, I find myself reading poems and writing long searching letters to faraway friends. I try to write my own poems but my thoughts are scattered, too loose to pin, too pinned to let loose.

Given that this day is widely set aside for spiritual nourishment, maybe this sadness is God giving a nudge. But instead of encouraged, I feel the familiar gnaw of church and faith: ache and sadness, relief and weight.

Late Meditation (excerpt)

Do you think His arms
are going to make
a cradle

for your head

so you can finally
fall asleep?

The yellow crocus just outside the front door is not a miracle of light

But pretty close
in its papery
stillness

The only color in the entire yard

We are trying
very hard

to be alone

— Michael Dickman
The End of the West


Thankful Thursday: Abundance

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Because attention attracts gratitude and gratitude expands joy, it's time for Thankful Thursday.

On this Thankful Thursday, I am flush with abundance.

And neighbors. And fresh food. And kindness.

My neighbor, whom I don’t know well, brings me a bag of peaches.

And a bag of tomatoes the next week.

And another bag last week.

Before she shared her garden bounty, we would occasionally wave at each other from across the street. Now, I’m eager to see her cheery face, and we cross the road to chat. We might even be friends.

Another neighbor, whom I have shared only waves from the car, brings a bag of apples. The tree is really producing, he says, I can’t keep up.

I make an apple pie. A few days later, he calls to me. Want some more? Yes, I say, yes!

All week I feel neighborly and good-natured. I am full of fresh food, and filled with an abundance that swells from kindness. How simple this feeling, yet how very grand.

A Song for Merry Harvest

Bring forth the harp, and let us sweep its fullest, loudest string.
The bee below, the bird above, are teaching us to sing
A song for merry harvest; and the one who will not bear
His grateful part partakes a boon he ill deserves to share.
The grasshopper is pouring forth his quick and trembling notes;
The laughter of the gleaner’s child, the heart’s own music floats.
Up! up! I say, a roundelay from every voice that lives
Should welcome merry harvest, and bless the God that gives.

The buoyant soul that loves the bowl may see the dark grapes shine,
And gems of melting ruby deck the ringlets of the vine;
Who prizes more the foaming ale may gaze upon the plain,
And feast his eye with yellow hops and sheets of bearded grain;
The kindly one whose bosom aches to see a dog unfed
May bend the knee in thanks to see the ample promised bread.
Awake, then, all! ’tis Nature’s call, and every voice that lives
Shall welcome merry harvest, and bless the God that gives.

— Eliza Cook, 1818-1889

Known as a poet of the working class, Eliza Cook wrote poems that advocated for political freedom for women and addressed questions of class and social justice, according to the Academy of American Poets. Despite her popularity, she was criticized for the ways in which she bucked gender conventions in both her writing and her life; Cook wore male clothing and had a relationship with American actress Charlotte Cushman, to whom she addressed a number of her poems.

It's Thankful Thursday. Joy expands and contracts in direct relation to our sense of gratitude. What are you thankful for today? A person, a place, a possession? A story, a song, a poem? What makes your world expand?


Note to (blurry) self

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Reminder, a series by Drew Myron

This is no. 11 in a series of reminders that serve as notes and poems to myself — and now you. Is your head as crowded as mine? It’s okay, jot a note and take a rest.

You don’t have to linger  

 in a loneliness that makes you blurry.      

 You can fill in blanks           make up a story   

sound out the silence with something 

more than understanding, 

stir the understanding with something more than tears, 

stir the tears with something more than surrender.  

 
In the math of wanting, 

you can contradict your self 

           praise the grace of quiet things

  the malignant sadness and 

surprising sweetness of 

                                                         every day.

— Drew Myron

 

Love This Line: "We pretend . . . "

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“We pretend to want things we don't want so nobody can see us not getting what we need.”

Lisa Taddeo, author of Three Women

Don’t judge a book by its cover, they say, but even more pressing is don’t judge a book by its marketing campaign.

Three Women has been billed as a “groundbreaking portrait of erotic longing in today’s America.” But that wasn’t my experience. Rather than a comprehensive examination of female desire, this work of literary nonfiction offers a deep and engaging view of three complex and frayed women. Taddeo is a journalist who writes like a poet, telling stories with extraordinary empathy and nuance.

This book wasn’t what it said it would be — it was better.


Thankful Thursday: Catalog of Cures

Writer tries drawing, with help from Lynda Barry and Writing the Unthinkable.

Writer tries drawing, with help from Lynda Barry and Writing the Unthinkable.


Catalog of Cures

Wild sweetpeas grow along abandoned curbs

At 4am, roused by birdsong

Try to draw, try to sing, try a new you

Along a chain link fence, a clutch of roses grow in a perfect bouquet 

In the distance you see a runner gliding, as if weightless,
as if ease is for anyone who believes in light

A friend brings bubbles

A thrush of balsam root on a slope

The ting ting ting of ice in a glass

I find a recipe in my mother's scrawl 

The letter we keep writing ourselves 

Twilight, dusk, dawn — the hush of changing light

Ghosts fade, and memories are made and remade
What we recall depends on us

We would give anything for what we have, writes Tony

Some days in summer, when you are tired and aching
and if you are lucky and looking 

the world offers to you a cascade of cures 


— Drew Myron

It’s Thankful Thursday. Please join me in a weekly pause to express appreciation for people, places, things & more. From the small to the immense, the world contracts and expands in relation to our gratitude. What are you thankful for today?

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Epidemic of Loneliness

“From Grief,” an erasure poem by Drew Myron

From Grief,” an erasure poem by Drew Myron

Dear S.

I share easy banter with a cheerful resident at the nursing home.

How are you? I’ll ask, and he’ll break into a full smile and say, Great as cake! or Fine and dandy!

But this morning he takes a long pause and his face is a grim fixed line.

I've got my hurts all stored up here, he says, motioning to his head. And if I keep walking, if I keep moving, it doesn't hurt so much. 

I hope he means a headache but his eyes say heartache.

Can I walk with you, I ask? And so we move slowly down a long hall.

No one visits, he says, but I don’t care anymore. You get to a point, he says, stopping to look me in the eye, that you just don't care anymore. I guess that's where I am. 

* * *

Some weeks, some days, maybe right now, I don't know what to do with this grief like a collection of rocks. Doesn't it feel so heavy? It's death, but not just death. It's carrying all the little losses — of age and health and hurts. 

How did we live before we live now? How did we once tread lightly and still manage to make the days matter? I'm thinking of you, and me, and so many yous and mes. 

I don't know what I'm writing, or feeling, but I know these words are a reaching out in love.

* * *

All day I think about the loneliness that circles this man and nearly everyone I know.

“We’re living in an epidemic of loneliness,” a colleague tells me.

* * *

A few hours later, a seemingly tireless volunteer leads a small group in song. Thin frail voices sing old fashioned hymns, and though my office is down the hall, the sound wafts my way and nearly breaks me apart.

Walking past, I hear her end in prayer:  You know our hearts. We all desire healing.

Amen, I say, again and again, all the way home.

With love,
Drew


Strangerhood

I was going to share a favorite line from my latest favorite book. But as I began to type, I couldn’t stop. One line turned into paragraphs and then into pages:

Every now and then and in the right circumstance, I really do like people. I better come clean, and admit that the right circumstance, the essential circumstance, is strangeness. Strangerhood seems to be what I need in order to see people clearly and be touched by them. . . .

My problem, if that is how it should be termed, and it probably should, is that I am never lonely on my own, but I often feel estrangement when in company . . .

“You seem to be able to talk to everyone. And they want to talk to you,” she said to me. “You have a way with people.”

I didn’t say: only in the company of strangers who are guaranteed to disappear back into their own lives.

— Jenny Diski, from Stranger On A Train

Stranger on a Train is a called a “travel book” but it is less about place and more about people. The landscapes offer interior views, rendered tight and sharp with keen perception. Part travelogue, part memoir, there’s a beautiful thread of longing here.

Reading, like traveling, offers great passages of time and self. I couldn’t read fast enough, and yet wanted to slow down and savor the turn of phrase, a sideways glance, and every stop along the wandering path.


Satisfied from Pleasant View

Satisfied by Drew Myron, excised from “Poems” by Mary Baker Eddy, 1910.

Satisfied by Drew Myron, excised from “Poems” by Mary Baker Eddy, 1910.

In my first-ever poetry workshop (with nerves and hope in 2003), the dynamic instructor said to me: “I see your words on the wall.”

This, I was sure, was a nice way of saying “not good enough for books.” I slinked away.

But then I began collaborating with artists — Tracy Weil, Senitila McKinley, Valerie Savarie — and suddenly my words were on the wall, and it felt better than a book (and Judyth said: See, I saw this!)

I like the combo of words & image, poem & art, type & design. And so I gravitate to blackout poems, write-overs, erasures, cut-ups. Over the years, I continue to crave visual writing.

This is my latest piece, inspired by my favorites in this field: Sarah J Sloat, Mary Ruefle, Austin Kleon.

I’m not sure where this is going, but I’m enjoying the process. Maybe it’s a warm-up, an exercise, a diversion. Or maybe it’s a fresh start and there’s more ahead on a new wall waiting just for me.

Overwriting

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With apologies to Rudyard Kipling, I offer this poem / prose / moment.

I don’t know why this appeals to me — writing over text, or, what I’ve been calling overwriting.

It’s something about paper, smooth but with tooth, and the way the pen rides across the old printed page. Newsprint shares this quality, and I sometimes write on old newspapers too.

It’s something about how the hand and pen feel at ease, so that the mind relaxes too. And it’s something about text as art; when repurposed, how it can shine as a form of design.

Maybe this overwriting is writing without thinking (my favorite kind of writing). Maybe writing over a previous text enhances the temporary feel, so that the pressure to “write good” is lessened.

The page opens, the pen allows, the words roll out and over, layered against another story, another meaning, connected to a newness that is rooted in oldness. Who knows what will surface, what will emerge?

An Habitation Enforced

It isn’t always birdsong here

but the steady song lulls you

into a new faith that says

this is how it always is,

and so you believe the

birds travel your path and

fish swim close just for you, and

the waves, they are but a

gentle roll, a reminder of

what you have to lose.

On the shore, you see

a man waving.

You think

this is love

calling you home.

— Drew Myron


Thankful Thursday: Literary Compass

After a tough slog through a sludge of books, what a relief to find light.

You’ve felt it too, right? Book after book leaves you listless and bored, or even worse, annoyed. You think you’ll never read a good thing again. You’ve lost your literary compass. You can’t tell so-so from super.

And then, like love, you try again, pick another, and stumble upon a striking line, a moving passage. You race through chapters, stay up all night, and wake wishing work away so you can stay in and read.

On this Thankful Thursday, I’m grateful for the turn of literary luck, the golden page. Sometimes just a passage, or a single poem, is all it takes.

These books recently restored my bookish faith:

Don’t Let Me Be Lonely
by Claudia Rankine

Before her award-winning book, Citizen: An American Lyric, Claudia Rankine wrote this mixed-genre collection thrumming with power, politics, observation and heart. Defying containment, this is a work of essay, image, memoir and poem. Passage after passage resounds; I’ve marked nearly every page.

“Sometimes,” she writes, “I think it is sentimental, or excessive, certainly not intellectual, or perhaps too naive, too self-wounded to value each life like that, to feel loss to the point of being bent over each time. There is no innovating loss. It was never invented, it happened as something physical, something physically experienced . . . [she] said the poem is really a responsibility to everyone in a social space. She did say it was okay to cramp, to clog, to fold over at the gut, to have to put hand to flesh, to have to hold the pain, and then to translate it here. She did say, in so many words, that what alerts, alters.”

Pulp
by Celina Villagarcia

With roots in the Rio Grande Valley of Texas, Celina has penned a slim collection and a strong debut. She drew me in with this poem (the linebreaks are excellent):

Outside

At ten,
I felt and
heard things

differently. This
knowing — made me

live — like I was
on the outside

always looking in.
I felt I was

walking—
without skin—

vulnerable to
every thing

—every
one.

When I write—

these words protect
—when I write

these words
give me skin.

— Celina Villagarcia

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The Do-It-Yourself Guide to Fighting the Big Motherfuckin’ Sad
by Adam Gnade

No larger than my hand, this small book packs a punch of candid, funny, touching truth. In a series of lists — DIY Guide to Navigating Youth Without Going Bitter, or, Guide to Not Freaking Out All The Time — the advice sometimes veers toward sap before making a tight swerve to tough love.

Irksome Particulars
by Matt Cook

I found this treasure (and the book above) tucked in a corner of small-press gems at the mammoth Powell’s City of Books. This is a pocket-size collection of irreverent prose poems, each no longer than a page and most just a few lines long, from the former poet laureate of Milwaukee, Wisconsin.

Rinky Dink Press
On a mission to get poetry back into the hands, and pockets, of the people, this Phoenix, Arizona-based micro press is small in size but big on quality. Each palm-size gem is handcrafted from one sheet of paper into a book that “marries a DIY attitude with skilled poetics and fine-art aesthetics.”

I love this poetry-for-the-people vibe. Write on!



It’s Thankful Thursday. Joy expands and contracts in direct relation to our sense of gratitude. What are you thankful for today? A person, a place, a possession? A book, a song, a poem? What makes your world expand?


Fast Five with Theresa Wisner

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"I have a dogged determination to keep going; to not be a quitter." 

— Theresa Wisner

Welcome to Fast Five, in which we ask a writer five questions to open the door to know more.

Theresa Wisner lives on the central Oregon Coast and works aboard Oceanus, an Oregon State University research vessel. Hailing from a family of commercial fishermen, as a young woman she went to sea to both continue the family tradition and prove her own fortitude. In her memoir and literary debut, Daughter of Neptune, Theresa blends seafaring adventure with family dynamics in a story of personal and professional self-discovery.

1. 
Daughter of Neptune is a powerful story of family, addiction, and perseverance in an industry dominated by men. What prompted you to tell your story?

I sometimes think that the goal was to write a story, and the events came along to give me a story to write about. I don’t know that I ever thought, I’m going to write a book about this one day, but from my earliest memories I’ve wanted to write. 

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2.
In your memoir of working at sea, you reveal the fears and insecurities that led to your alcoholism. Why was this important for you to share, and in the face of struggle, what keeps you going?   

Quitting drinking was, by far, the biggest challenge of my life. There were people who showed me it could be done. I wanted to be brutally honest in my struggle, and in so doing, let someone who might be struggling know there is hope, even in the darkest time. I wish I could say that there was something inspirational in me that kept and keeps me going. I think it’s solely a dogged determination to keep going; to not be a quitter. 

3.
What’s the best writing advice you’ve received?

Write. Really. Just write. Sit my tail in a chair and write. It seems so easy, but it’s difficult to practice. There is always something that can, and often does, call me away. Even if I have nothing to write, the act of sitting in front of the computer or paper brings the story to me, it doesn’t come from living my life. It comes from having the intent to write. More dogged determination!

4.
What books or authors have shaped your life? 

Although I don’t read him much any more, Stephen King shaped much of my desire to be concise about description, and evoking emotion from it. The Stand, in particular. Theodore Dreiser and Tolstoy were big in my early years. More recent work is Philip Pullman’s His Dark Materials trilogy, and Veronica Roth’s Divergent trilogy. I love the simplicity of these works. Isabel Allende is simply brilliant. There are so many more, but these come to the top of my head. 

5.
I’m a word collector and keep a running list of favorite words. What are your favorite words?

As a Pacific Northwest gal, I love a couple of words:

Pluviophile: one who loves the rain.

Petrichor: the smell of the first rain. 

Bonus Question:
What question did I not ask that you wish I had? 

I’m currently working on a book of fiction that puts a young woman on Ernest Shackleton's failed Antarctic Expedition. I don’t know if I’ll keep Shackleton’s name, but the story has intrigued me since I worked in Antarctica. 


• Buy Daughter of Neptune at Amazon

• Learn About Theresa:
Coming to terms with being the Daughter of Neptune - Oregon State University magazine